NEW ALBUM OUT NOW!
MAY 24, 2024
VIA BLUES FUNERAL RECORDINGS
Photo by Guy Casavan
Fusing melody and dissonance, ABRAMS blast forth a cathartic mix of catchy, driving rhythms, soaring vocals and ethereal ambiance. Wielding elements of heavy rock, shoegaze, grunge and post-metal with ease and fluency, they create a crystalline heaviness that's bittersweet and nostalgic yet also gazes forward.
The Denver band's arresting sound finds them sharing terrain with the likes of Torche and Cave-In, while their penchant for crunchy, irresistibly hooky riffs recalls alt-rock icons Hum and Quicksand. Even so, their swirling meld of influences isn't the totality of ABRAMS.
Blue City is where genre-defying heaviness and perfect melodic songcraft converge, a sojourn through lush, cinematic passages and contemplative psychedelia. Its lyrics describe a metaphorical prison, a cold but familiar place where fear of change and the impossibility of action lead to paradoxical, crushing comfort.
Zachary Amster - Guitar/Vox
Ryan DeWitt - Drums
Taylor Iversen - Bass/Vox
Graham Zander - Guitar
From “Blue City”
Blues Funeral Recordings May 2024
From “Blue City”
Blues Funeral Recordings May 24, 2024
From “In The Dark”
Small Stone Records September 9, 2022
From “In The Dark”
Small Stone Records September 9, 2022
Photos by LK Cisco AKA Pillow Princess Press (2024)
Photos by Guy Casavan (2024)
Photo by Kim Denver (2022)
Photos by Kim Denver (2022)
Photos by Mike Goodwin (2020)
Official Video - 2017
Directed by Gregg Barclay
Official Video - 2017
Directed by Travis Heacock and The Devil’s Own
Official Video - 2015
Video by Frank Huang
Official Video - 2015
Directed by Cole Jenkins
Metalsucks (USA)
“A sound that’s cathartic, contemplative, and would fit right in on a playlist full of Mastodon, Torche, and Baroness tunes.”
Distorted Sound Magazine (UK) 10/10
“One of the most musically diverse and emotionally impactful bands in the scene. Blue City is an absolute triumph and stays with you long after the final riff.”
Metal Hammer Magazine (UK)
“Blue City effortlessly combines monstrous riff dissonance with anthemic hooks to create an upswell of positivity in the face of frustration that’s sure to shake you from your existential slumber.”
Metal Injection (USA)
“Abrams is taking you to an ethereal plane. This has riffs for days.”
Powerplay Magazine (UK)
“A juddering, riff-heavy, joy of an album.”
Headbanger Reviews (USA)
“A record that is just downright electrifying.”
Doom Charts (USA)
“Full of catchy riffs, sublime guitar solos, pulsating rhythms and wonderful vocals, Blue City is one of the standout records of the year so far.”
Outlaws of the Sun (UK)
“One of the essential acts that the Sludge/Stoner Metal scene needs to know about right now. Blue City is Abrams most deeply engaging and brilliantly rewarding album to date.”
Rock N Roll Fables (USA)
“Abrams enters God City, exits with god-tier Blue City.”
Invisible Oranges (USA)
“Modern crossover-friendly metal peaks when it embraces alternative rock, as Abrams proves on Blue City.”
Musipedia of Metal (UK)
“The new Abrams record is a special one. (...) this is a generational record and one that will be tough to top in 2024.”
Ever Metal (UK)
“It is epic in the sense of it being so fucking colossal it crushes under the weight of its own importance and virtuosity.”
The Sleeping Shaman (UK)
“Something has been stirring in the Rocky Mountains, and it could just explode.”
Witching Buzz (USA)
“An ambitious and successful album that captures Abrams at their best.”
Demonic Nights (Austria)
“Blue City spielt mit der Kälte des Seins, entdeckt in ihr Momente des heimeligen Wohlgefühls und versucht dennoch wieder und wieder den Ausbruch.”
Guitar Part Magazine (France)
“Un cinquième album aussi beau que bluffant.”
La Habitacion 235 (Spain)
“Bajo una pluma tan técnica como arrebatadora, “Blue City” se confirma como uno de los verdaderos potenciadores emocionales de este primer semestre del 2024.”
Grind on the Raod (Italy)
“Un nuovo, massiccio capitolo e intraprendono un notevole viaggio psichedelico, confermando così le grandi aspettative dei fan.”
Rockmuzine (Netherlands)
“Een originele en aanstekelijke mix van stoner, post rock, metal en grunge.”
Outlaws of the Sun (UK)
“This is Abrams most complete album to date and definitely their finest hour yet.”
Metalsucks (USA)
“In The Dark gets right to the point as an in your face sludge/post-metal package that just goes the moment you hit play.”
The Sleeping Shaman (UK)
“An epic, heavy and melodic sonic journey.”
Metal Epidemic (UK)
“This is just the best sounding album of the entire year.”
Heavy Blog Is Heavy (USA)
“The most explosive, bombastic, and convincing version of Abrams.”
Scream Blast Repeat (UK)
“An experience that merits your deepest contemplations and your most vivid daydreams.”
Doom Charts (USA)
“In The Dark absolutely kills.”
Sound Magazine (UK)
“With intense riffs, ornate vocal harmonies and melodies, emotive grooves and a powerfully mature emotional understanding, this album will make you feel intensely and blow you away with the enormity of the sound.” Distorted
Musipedia of Metal (UK)
“A top notch, potential top 20 AOTY record.”
Metal Injection (USA)
“The band nails this perfectly grungy, sludgy sound with just the right amount of atmosphere and it works so well.”
Fables (USA)
“There’s one every year for us, isn’t there? One unexpected artist with a record that completely knocks our socks off. (...) in 2022, we’re blessed with Denver’s Abrams and their magnum opus entitled In The Dark.” Rock and Roll
Source Webzine (Brasil)
“Certainly the most accomplished album of Abrams.”
Tinnitist (Canada)
“Brawny post-grunge riff-fests with a heavy stoner-rock vibe that will have you playing air guitar with your bong.”
Wonderbox Metal (UK)
“Despite how instant some of the material is, there’s a dreamy sort of feel attached to the songs that’s infectious and near-omnipresent.”
Demonic Nights (Austria)
“Musikalisch gibt es mehr Intensität in allen Belangen, von den dicken Riffs über die gemächlichen Soundscapes bis hin zur ausladenden Spielfreude, die immer stärker durchzukommen scheint. (...) Hier bahnt sich Großes an.”
Powermetal (Germany)
“Dabei weist Abrams aber ungeachtet der sehr melodischen Gesangslinien hier ein noch höheres Maß an Power und Rotzigkeit auf und versprüht eine unbändige Energie.”
Zephyr’s Odem (Germany)
“ABRAMS schaffen es immer frisch und interessant zu klingen.”
“Hier wird dem Hörer eine Reise in düstere Klanglandschaften geboten, denen aber immer Wegkreuzungen mit lichten Momenten eingebaut sind.” Amplified Mag (Germany)
Guitar Part Magazine (France)
”Une sacrée performance pour un disque hautement recommandable.”
Grind on the Road (Italy)
Un capitolo emotivo che ci proietta nella magia struggente degli Abrams. I Nostri concentrano ogni secondo di quest’album sull’infinito bagaglio di riff lunari e graffianti, creando un flusso potente dentro l’oscurità.”
Ahead of their upcoming album, In The Dark, out September 9, Denver rock outfit ABRAMS are sharing their first official single from the project, “Like Hell.” Check it out right here at New Noise. The band first formed in 2013, with guitarist and vocalist Zach Amster and bassist and vocalist Taylor Iversen, who were later joined by drummer Ryan DeWitt. ABRAMS have released an EP and three studio albums, and each project allows the listener to witness their collective progress that got them to where they are today. With their upcoming LP, they up the ante, offering a moody, heavy, psychedelic rock venture that’s not to be missed.
Denver’s Abrams aligning to Small Stone Records makes a lot of sense as far as matching bands and labels goes. The band have been belting out hooky, well-crafted and progressive-melody-edged heavy rock and roll since before their debut album, Lust. Love. Loss. and even the snare drum that begins album opener/first streaming single “Like Hell” seems like an instruction to stand up and take note. So be it. I haven’t heard the full record yet — it’s out Sept. 9, so yeah, plenty of time for these things — but the band’s penchant for songcraft is long since proven in my mind. Really, from that first record on, Zach Amster and company have delivered a professional-quality product while keeping an underground edge to their material. A band ready to make a mark and a label that might let them do it? As I said, a good match.
Abrams will release their new record In the Dark on September 9, and we're streaming their new single "In The Clouds" right now! We've sung the praises of Abrams around here before and dammit, we're going to do it again. The band nails this perfectly grungy, sludgy sound with just the right amount of atmosphere and it works so well. Especially toward the end of "In The Clouds" when they bring it all down into a crushing finale.
Abrams Gets Stuck In Their "Modern Ways" With New Song. It's a good one too! Abrams… release their absolute rif fest Modern Ways… Which as you probably guessed given the album description has more riffs than should be legally allowed.
…One of the city's premiere underground metal acts alongside countrymen like Khemmis and Blood Incantation. the title of their upcoming Dave Otero-produced album Modern Ways seems to hint at a shift in Abrams' sound, with the band turning more towards a heartfelt, almost poppy sound at times… the chorus, which is where the song gets heaviest, feels more in touch with listenable cuts by bands like Alice In Chains or Mastodon. The song is a refreshing new angle…
Denver’s Abrams have been a longtime favorite of MetalSucks. So were obviously thrilled to get an advance listen of the band’s new album, Modern Ways… and even more excited to realize that it is, without a doubt, the group’s strongest offering to date! … Modern Ways is full of garage band-raw, melodic post-metal with magnetic hooks and a heartfelt, wistful edge that will hit you where you live. It would not be out of place on a playlist with more recent work by bands like Mastodon, Baroness, and Torche. Big words, we know, but it’s not just hype: Modern Ways really is THAT good.
Abrams Tells Some Crunchy Stories On New Album Modern Ways
Think Torche-esque riffs below hook-laden vocals. If you're in the mood for some Torche-esque riffs below hook-laden vocals, then you're going to love Abrams new album Modern Ways. We're streaming the album in full right now with the warning that you're not going to be able to turn it off once you hit play. So you've been warned.
Modern Ways is better. All my trepidation regarding whether they’d stay the course, whether this effort would top the last, and whether or not this would be a defining moment disintegrated upon my initial spin and each subsequent spin leaves my jaw on the floor. …It’s one thing to copy your heroes but it’s a whole other thing to take all that and make something completely your own which is what Abrams have done. Well, continue to do. This is the kind of heavy leaning, melodic, and hook laden rock that I miss; the kind that burrows deep in the dark pockets of the brain and won’t let go, the kind that hits the pleasure centers with a strong dose of dopamine… This is an amazing album and an amazingly fun album if catchy and memorable hooks and melodies are your thing. No telling how many times I’ve ventured through these songs but if my continued play count of Morning is any indication, this album will still be going strong in the count of years and not months or days… Modern Ways is full of stand out tracks… It’s just that good, folks.
9/10 - HOLY SHIT!
Despite Abrams obvious influences, Modern Ways is a masterclass in modern rock.
Do not fail to check this album out!
I don’t know about you, but I am a sucker for a great record that you can sing along to while driving. Modern Ways by Denver, Colorado’s Abrams is one of those records. I was blown away by this record. Abrams are one of the few great rock bands of this year, releasing music bursting with melody. Modern Ways contains some exceptional hooks, riffs, and choruses that most bands would cut off their right arm to have written. I guess you could put Abrams alongside Mastodon and Baroness in terms of the style of rock music they play. Abrams are clearly aiming for the Billboard Top 10. Abrams have clearly been influenced by some of the best rock bands of the last 15 years but they don't sound derivative at all. Like any great band, they've taken their influences and mixed them with their own natural songwriting talent. And they've used that talent to craft what is, so far, the rock album of the year. Well done!
Modern Ways contains some tremendous hooks and mighty riffs.
Their sound is in the vein of latter day Mastodon or Baroness, but they also manage stretch their sound back to the grunge era yet still sound fresh and creative. The production is superb as the drums pack a mean punch and the guitars are wondrously thick and heavy. As a new name to me Abrams have created a great modern rock album combining super heavy riffs, crushing drums and songs with brilliant melodies. There’s no arguing with good tunes and big fucking riffs, Abrams have them both in abundance.
On the one hand, their post-grunge power-chord riffs and chest-beating vocals are hooky and commercial enough that you wouldn’t be surprised to hear them on the radio. But their approach is also craggy, dark and bombastically metallic enough that you wouldn’t be surprised to seem them opening up for the likes of Mastodon either.
Modern Ways sounds like a stoner rock band got a little too pissed off one day after listening to newer Mastodon records. Modern Ways blends harsher vocals with sunbaked riffs, throws more hooks than a tackle box can hold into the mix, and ends up with an incredibly unique sound. If this isn't the record that breaks Abrams to a much wider audience, then the audience was hopeless anyway.
Even through a global pandemic, the first half of 2020 has produced some of the most ear-punching metal albums. We honestly didn’t expect such a strong start to 2020, all things considered…. “I have played (this) a ridiculous amount… Modern Ways by Abrams. I really like this album. I think… a lot of it comes from the vocals. The vocals are fucking awesome. …There’s this kind of dissonant sludginess that sits alongside… like a sludgier Glassjaw at times. I think front to back, I don’t think there’s a bad song. I’ve played the shit out of this release… I think everybody is sleeping on them right now.”
Below are the albums that have been keeping me out of prison this year:
…Abrams - Modern Ways (Sailor)
“Abrams have it all: noisy, sludgy riffs, mathy time signatures, and big, arena-rock choruses. They say one time someone described them as “Foo Fighters meets Red Fang,” which felt strangely accurate.”
READ MORE
8/10
“....something that's accessible enough for the non-metalhead yet still legit enough for the diehards. Their 2015 debut Lust. Love. Loss. was definitely a gem from that year, and they've followed up this year with Morning, a emotional bulldozer of a record that sees the band refining its songcraft and sound…
…They have all the potential in the world to make a bona fide sludge/rock masterpiece; Morning is major a stepping stone, and a really good one, toward that.”
“If you're into catchy grooves and soaring vocals, then Denver's Abrams has a brand new album on the way for you!”
This Denver, Colorado trio shows no signs of a sophomore slump on Morning, which takes a slightly different approach than their debut Lust. Love. Loss. from two years back. While that first album was informed by more of a fly-by-the-seat-of-your-pants punk sensibility, this one takes a more thorough, thought out approach…
“Abrams shows a lot of growth on this album, as Morning is sludgy and heavy, but also melodic and catchy. This makes for a winning combination. If you want a dose of some exhilarating modern metal, then you should definitely check it out. You don’t want to miss out on this album.”
“The sophomore album by Abrams, Morning perfects the sound put forth on the 2015 debut, Lust. Love. Loss. Yearning, driving, and hook-laden, the ten songs on Morning summon a soulful version of heavy rock that dwells in the same mountain range as later Mastodon, Baroness, and Mark Lanegan.”
“…the cascading layers of atmospheric guitars, the laid back 3/4 time groove, the scorching guitar solos (two of them!)… this sure feels like Abrams are a matured, evolved beast…
…Also worth noting: the recording sounds fucking fantastic…”
”…Abrams who are not only earning Mastodon and Baroness comparisons, but dropping their killer sophomore album, Morning…”
8/10
“…Morning‘s hook-laden heavy rock is as catchy as it is crushing, trapping listeners in a sonic rock slide that will have them singing along as they tumble violently down…
…Morning‘s eclectic, yet grounded sound is equally heavy and catchy and is sure to appease fans of early Baroness and the like, as well as those of Mark Lanegan and his contemporaries. Abrams brings an abundance of grit and energy on this stellar sludge rock recording, one that will have listeners wanting to revisit over and over again.”
By Andrew Bonazelli
“There’s plenty of passages that come off like Sunny Day or Fugazi uglied up in the (early) Mastodon filter, but by the time… [they]… start shouting, the primary comparable is Seatle’s Harkonen… Abrams is a bit more willing to push the limits of their talent right off the bat… Look out for these dudes in a few years…
“...a nimble crusher, managing to steamroll and get down with its bad semi-melodic self all at the same time. Of course, it is impossible to play this thunderously and roar this bleakly without sprouting a mass of wiry chin pubes, so you will likely be reminded of Baroness, Mastodon and occasionally Neurosis, but only ever in a good way.”
“Lust. Love. Loss. is an unexpectedly wicked, vibrant album that feels easy to stuff in any heavy music lover’s stocking,”
“...this debut album is good for many enthusiastic listens.”
READ MORE
“... the trio’s self-released debut portends big, big things for the band. Effortlessly meshing angular mathcore with chunky stoner metal, Lust. Love. Loss.recalls Remission-era Mastodon… and, truly, even that facile comparison fails to do it justice.”
READ MORE
“...Abrams find the sweet spot on their independent debut, Lust. Love. Loss. about midway between Hot Snakes and Blood Mountain-era Mastodon, and toss in some great lyrics as well.”
“...an obvious focus on flow, complexity of songwriting, crisp execution, tight performances and an overarching sense of heft that is more than ably wielded.”
“Blending spiky guitar lines reminiscent of These Arms Are Snakes, plenty of weird Cave In style effects, angular post-hardcore aggression and no-nonsense stoner riffing, Abrams have created a compelling and addictive listen here… This is a great record which deserves to find a wider audience and provides further evidence that Colorado is where it’s at for gold-standard rocking at the moment.”
Released on Small Stone Records September 9, 2022
Watch the music video for “In The Clouds” here.
Watch the music video for “Better Living” here.
Recorded, mixed, mastered by Dave Otero at Flatline Audio in Westminster, CO. March 2019
Art/Layout by Samantha Rae Muljat
Recorded by Andy Patterson at Boar’s Nest in Salt Lake City, UT, and Dave Otero at Flatline Audio in Denver, CO.
Track 7: Features additional vocals by Philip Pendergast of Khemmis
Mixing and mastering by Dave Otero at Flatline Audio in Denver, CO.
Art/Layout by Samantha R. Muljat
Released on Sailor Records, June 2017
Released Independently, June 2015
Recorded, mixed by Andy Patterson at Boar’s Nest in Salt Lake City, UT.
Mastered by Brad Boatright at Audio Siege.
Produced by Abrams and Patrick Alberts
Artwork/Layout by Kristin Cofer
Recorded, Mixed, and Mastered by Ben Romsdahl in Boulder, CO.
Released on No List Records in May, 2014
Artwork by Hailey Kohler